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The Harn Museum of Art is dedicated to offering as much information as possible about our upcoming exhibitions in order to assist in planning your visit and to encourage collaboration with university and community partners. We will continue to update our future exhibition pages as plans and programs are solidified.
Call for Artists: Deadline October 15, 2018
Established and emerging artists who reside in or have close ties to the Gainesville region are eligible to submit entries for consideration in the Art of Inquiry: Juried Exhibition. The exhibition is open to works in most media, including painting, drawing, photography, print media, ceramic, sculpture and mixed media. Visit the exhibition page ("More") for the Call for Artists.
I, Too, Am America features forty-eight photographs from the late 1950s/1960s Civil Rights Movement. The exhibition includes three distinct sections with works by Steve Schapiro, Gordon Parks and a documentary film titled "James Baldwin: The Price of the Ticket."
For millennia, the subject of landscape has occupied a special place in East Asian artistic traditions. This exhibition will highlight the transition to modernity, and how urbanization affects and/or complements the natural world. With objects from China, Japan, and Korea, this exhibition reflects on how artists viewed their respective nations’ relationship with the natural landscape and the rise of urban centers. Themes include real and imagined landscapes, the body as landscape, cityscapes, seasons of change, and political histories centered around geography and place.
Monsters and the Monstrous springs from a UF undergraduate course designed by Nina Stoyan-Rosenzweig (UF Health Science Center Library), and team-taught by four undergraduates in the Honors Program in the 2018 fall semester. Its focus is on the nature of “monsters”—how society fears, defines or embraces monsters of all kinds, in many cultures and eras.
This exhibition, offered as a part of the University of Florida's campus-wide celebration of invention and creativity, will investigate and celebrate how various artists discover, question the past, re-interpret the present, and imagine the future. Drawn from the Harn Museum’s permanent collection, the exhibition will demonstrate the mindfulness of artists over the last century, encouraging discussions and investigations centered on multiple questions, such as: what are the roles of innovation and imagination in the visual arts; how are boundaries between the arts and other disciplines connected and/or broken down; and where are artists going next?
This exhibition will explore the roles of metal objects in sustaining, unifying and enhancing life in African communities, while demonstrating the aesthetic and expressive power of metal arts. Peace, Power, Prestige will include a diverse range of iron, brass, bronze, gold, copper, silver, and alloyed works created by artists in West, Central, South and East Africa, between the 12th to 21st centuries. The selected objects are from the Harn Museum collection and private collections, most notably the John and Nicole Dintenfass collection.